Stereotypical...No, just damn hilarious!

NBC cancels 'Undercovers"

NBC has opted to not order the back nine episodes of J.J. Abrams’ spy-centric show Undercovers. But don’t expect the series to disappear from your DVR anytime soon: The network will air three more episodes of Undercovers — scheduled for Nov. 10, Nov. 17, and Dec. 1 — and may run three more finished episodes at a later date.

According Jeff Jensen with Entertainment Weekly, the new drama about sexy spies from J.J. Abrams, the creator of Alias? That would seem to have “HIT” written all over it. And so it went that NBC’s Undercovers arrived this fall as one of the season’s most promising new shows. But even with an energetic pilot helmed by Abrams himself, appealing and strikingly attractive actors in the lead roles, and an undemanding, easy-breezy approach to storytelling, the newfangled Hart to Hart failed to stir any true passion among TV viewers. It bowed to weak numbers (8.6 million), and only grew weaker as the weeks progressed (Wednesday’s episode: 5.8 million). Why did Undercovers go under? Here are my reasons Jeff...

In the case of Undercovers, the usual excuses are present...The primary reason it’s cancelled is because most of America’s White Audience are hypocrites, and had difficulty accepting these characters as spies, and love nothing more than watching other white folks engaged in far fetched scenarios on their TV sets. My girlfriend to this day found LOST to have a ridiculous premise, and still doesn't understand why I continued to watch it after they killed off the Black Folks.

You know why a show like Chuck survived this long? Two words : Yvonne Strahovski. That and a lot of geeky crap. So, let’s all be honest here, it’s not because the leads were two unknowns that the they failed.

It’s because the leads are two BLACK unknowns to most White Americans, that the show failed. Evangeline Lilly and Josh Holloway were two unknowns when they were cast on Lost, no star power. Yet here we are, 6 years later, and look what happened to them!
NBC keeps on shows that they want to keep on that have low ratings, if this is true why didn't they cancel shows like Cheers, My Name Is Earl, 30 Rock, and many other shows that had low ratings that the network committed to financially, and continued to support. Why didn't they put it on before The Event, or change nights that it air...for the record, I only watched the show on HULU, because I wasn't home when it air, so I watched it on the Internet, who measures that viewership?

I find this another lame excuse for not allowing a good show to gain its footing! So to all the complainers of deft of quality programming with Black leads, here is your opportunity to start a petition drive!

First Lady Michelle Obama's Asia Tour

Koch Brothers Tools!

THE FALL OF AMERICA!

Darroll Lawson is My HERO of the Day!

He might be happily married, but Darroll Lawson was inspired to create his infamous viral video by what he considers to be single black women's relationship issues.
When a married father of three put together an animated video as a satirical take on what black women want out of a relationship, his modest hope was that it would bring a little traffic to his online radio show. He didn't anticipate that the three-minute YouTube clip, called "Black Marriage Negotiations," would garner nearly 500,000 views, spawn a number of copycats and turn into a flash point over the intensely sensitive topic of black marriage and relationships. Darroll Lawson, 40, an information-technology consultant living in Atlanta, created the video to drive traffic to his website, PhilosoG, where he and his friend Billy Briggs talk about "empowering men to empower families."

The Angry Man is Back!

Yeah, I took a hiatus to tour the world, and work on some entrepreneur efforts...but you folks pulled me back in...Especially with the continued anti-black male agenda, being promulgated by the Homosexual Black Male Collective. From the Anti Morehouse College column in VIBE magazines mean girls of Morehouse (WTF) to Tyler Perry's need to resurrect Nztogate Shanges Colour Girls, after 35 years I thought we put this bullshit to rest!

I'll Bust the Windows Out Your Car!

Brad Pitts Gift to Katrina Victims

NAACP, needs to give Brad Pitt, a image reward for his philanthropic efforts and activities in the lower ninth ward. Thanks to FRED A. BERNSTEIN, New York Times, AL ANDREWS, who lives on Tennessee Street in the Lower Ninth Ward of New Orleans, said he didn’t mind the tour buses coming through his neighborhood, but he wished the visitors “would give some of what they pay to the community.” Mr. Andrews lives in one of the brightly colored, modernist houses rising on a small patch of the Lower Ninth, four years after it was devastated by Hurricane Katrina.In 2007, frustrated by the slow pace of rebuilding in the Lower Ninth, Brad Pitt set up a foundation called Make It Right; the foundation then commissioned 13 architecture firms to design affordable, green houses. The organization plans to build 150 homes, all for returning Lower Ninth residents. So far, just 15 of them are occupied, but those 15 make a big impression.

Indeed, from the main route into the Lower Ninth, the Claiborne Avenue Bridge, it’s impossible to miss the Brad Pitt Houses, as everyone here calls them. They are sprawling, angular buildings in bold hues not usually seen outside a gelateria. Monuments to the city’s resilience, and to Hollywood’s big heart, they are also New Orleans’s newest tourist attraction.



Residents like Mr. Andrews and his neighbor, Gertrude LeBlanc, were happy to converse. “If we don’t talk,” Ms. LeBlanc, a cheerful septuagenarian, said, “how will people know what happened to us?”


During my previous trip to the Lower Ninth four years ago, I mainly saw devastation. Wrecked houses were everywhere. Now much of the debris has been cleared, and acre after acre has gone back to nature, with grass almost as high as the reconstructed levees. The main effect in much of the district is an eerie stillness.

But “Brad Pitt’s neighborhood” is a beehive of activity, with builders and landscapers vastly outnumbering residents. A sign in front of each of the houses gives the name and city of its architect. One, called the Float House, was designed by the Pritzker Prize-winner Thom Mayne of Los Angeles. The main part of the house is built to rise with surging flood waters, on pylons that keep it from coming loose. It’s difficult to see the innovative foundation, but unusual external features are easy to spot, such as a kind of trellis cut into intricate patterns and painted turquoise, set against the raspberry-hued building.

Nearby, an angular house by GRAFT, a multinational architecture firm, features a porch enclosure that looks as though it had been cracked open by a storm, an unfortunate visual resonance. A house by the Japanese architect Shigeru Ban has a private courtyard space between the living room and bedrooms, but none of the detailing that would make it feel like a part of New Orleans.

Indeed, the houses seem better suited to an exhibition of avant-garde architecture than to a neighborhood struggling to recover. A number of designers I talked to, some of whom had visited the neighborhood, lamented the absence of familiar forms that would have comforted returning residents. James Dart, a Manhattan-based architect who was born and raised in New Orleans, described the houses as “alien, sometimes even insulting,” adding, “the biggest problem is that they are not grounded in the history of New Orleans architecture.” But, like other architects I spoke to, he expressed admiration for Mr. Pitt. “He deserves a great deal of credit,” Mr. Dart said, adding that Mr. Pitt had “done more for New Orleans” than any government agency.

Jennifer Pearl, a broker who has several houses for sale in the Lower Ninth, has a practical view. “Brad has the very best intentions,” she said. “However, had he come here with houses that looked like what had been here before, he probably could have had four times, five times as many houses up by now.”

Another issue with the houses (except for Mr. Mayne’s) is their elevation: to protect them from future floods, they have been built on stilts that turn their front porches into catwalks. The goal of porches is to create a sense of community, and that’s hard to do when neighbors and passersby are literally overshadowed.

Cathy Hughes Please Sit Down!

With all the talented young black women graduating with degrees in journalism or mass communications, why must we endure a senior citizen trying to reclaim her youthful ambitions as a faux Oprah, sit your old ass down, just because you think you got legs like the young Tina Turner, doesn't mean you still got it!

The same goes for Dorothy Height, turned the leadership over to a younger progressive woman, you are damn near 100 years old!

Elisabeth Hasselbeck Says She Can Relate to Being Black, huh!

Victims of racial discrimination take heart -- you now have an ally in none other than Elisabeth Hasselbeck.

On 'The View,' Hasselbeck claimed to have received stares as she and her daughter, whose favorite toy is a black doll, walked through the streets of New York. And now, she says, she can relate to being black.

"We ran errands yesterday, so we went all around New York City and I saw a couple of looks that made me uncomfortable," Hasselbeck said, adding that people seemed to be questioning the color of her daughter's doll.

Because of this, Hasselbeck said she can "totally relate" to the black experience despite being white and that her name is "Hasselbeck, not Hasselblack." Hey, who needs 200 years of violent oppression when you've got a day's worth of puzzled stares?

Boston train driver hailed ‘hero’ after emergency stop saves woman on tracks

The Angry man has been on another hiatus, I took a break from some of the annoying bickering that you read online about the image of black men and women, but the me problem is that some black intellectuals don't take the time to get off the high horse, and appreciate our everyday heroes in the community, such as Charice Lewis. Whom quick reaction to commuters waves save another woman's life. When I see these type of stories about sisters, and brothers...it balances out the stereotypes portrayed in movies like Precious! Lewis the driver of a Boston subway train that stopped just before hitting a woman who had fallen onto the tracks has been hailed as a hero.


Charice Lewis got a radio call from fellow subway employee Jacqueline Osorio when she saw the woman, who had been drinking, tumble over.

Ms Lewis immediately tugged the emergency brake which stopped in time.

"As I'm approaching, the lady pops her head up, and I'm like 'Oh my God, someone's in the pit'. So I just threw it in emergency, exactly what I'm supposed to do. And it stopped just in time not to hurt her," said Ms Lewis.

House Negress of the Day!

Blackman Survives the Apocalypse!

Every since Keith Wayne's character Tom survived the zombie onslaught in the original Night of the Living Dead, we had to wait another 30 years, to be consider survivors in any aftermath of societal breakdown. Tony Todd didn't quite make it in the remake, the good ole boys ended up getting him in the end. It took sometime for another brother to survive the meltdown.

Wil Smith was mankinds savior, and post apocalyptic survivor in I AM LEGEND. Now In another version of post-apocalyptic world, a lone hero Denzel Washington guards the Book of Eli, which provides knowledge that could redeem society. The despot of a small, makeshift town (Gary Oldman) plans to take possession of the book.

With shows like the Real Housewives of ATL, Black In America 2 is the least of our problems!

After watching Black In America 2, I found most of the stories anecdotal, and Inspirational. I realize our issues are too complex to evaluate or discuss in four hour reporting segment, but its not programs like BIA2 that get my blood pressure up, its the foolishness that counts for reality television such as, Tiny and Toya, Crackheads are Us, the BET Awards and now another season of the The Real Housewives of Atlanta, you might think it’s easy to get wealthy African-Americans to talk about money. Now Bravo will burden us with the second season this fall of the reality program chronicling the conspicuous consumption of five well-off women who have ordained themselves among Atlanta’s elite. Four of the Housewives are African-American. You have to remember that these nouveau riche women on the show did not earn any of the money on their own so what do you expect. They married NFL and NBA players. Most of the players didn't have a good upbringing so why would you expect them to married somebody respectful anyway!

This show should hit a raw nerve amongst the black women's the way it continues to it perpetuates negative stereotypes with its focus on cat fighting women who shamelessly lord their wealth and generally misbehave. A particular sore point is the consistently egregious grammar the Housewives stars use.

Now I know many of us have issues with the Links, Jack & Jills, and other so called elitist groups, that wouldn't allow my black ass in anyway, but these organizations actually have real Atlanta Housewives, that perform charitable and philanthropic work, and would never debase themselves in this manner. In article from the Houston Chronicle last year, Houstonian Phyllis Williams, well-known for her philanthropic work, recalled flipping channels on her television on Election Night — from the historic speech of President-Elect Barack Obama to a Real Housewives episode in which two wealthy women learn to let loose on a stripper pole.

“I was appalled,” she said. “This is not what elite women are about.”

The women on the show, she said, are shallow, graceless and mean.

“They eat and breathe money and clothing,” Williams said. In one episode, queen of mean Sheree Whitfield drops $6,000 on a private shoe-shopping spree in her living room; in another, Kim Zolciak, the show’s only white cast member, calls her sugar daddy “Big Poppa” to request $68,000 cash so she can buy a Cadillac Escalade on the spot.

Despite — or perhaps because of — the furor surrounding the show, few Atlanta women were willing to talk about it with the local media. When a reporter struck out to get a peek into what life is really like for the city’s black elite, she was met with polite no-thank-yous and snarky voicemails but mostly unreturned phone calls.

Merele Yarborough, another prominent woman in charitable fund-raising circles who has been featured on the Chronicle’s annual Best Dressed list, politely declined to throw open her closet doors for public inspection. She found what she saw on Housewives troubling and hopes it reflects the slant of the producers. “I was disappointed by the way these characters were portrayed,” she said. “I’m praying they are not like that. They are like children in a candy store. They’ve been given all this money. It’s almost like the blind leading the blind.” Money is a touchy subject for most people, but for some affluent African-Americans there’s an added layer of self-consciousness about how the black community is portrayed. They worry that too much bling reinforces the public’s worst perceptions.

“I’m just hoping that most people don’t look at this show and think that every wealthy black woman is like this,” said Williams. Like their old-money counterparts in the Anglo community, the black elite are quiet about their wealth and would rather die than parade themselves showing off “ridiculous homes that resemble Potemkin villages,” said Lawrence Otis Graham, author of Our Kind of People: Inside America’s Black Upper Class. He labeled The Real Housewives as the “P. Diddy crowd,” who are “here-today-and-gone-tomorrow money.”
The black upper class, he said, doesn’t want the likes of them living in their neighborhoods, going to school with their kids and certainly not marrying into their ranks.

“These are not people who value education and true philanthropy,” said Graham, who lives with his wife and children in an apartment on Park Avenue in Manhattan and on an estate in Chappaqua, near the home of former President Bill and Sen. Hillary Rodham Clinton. “We don’t know people like them.” Like the women on the show, Williams admits to a love for fine clothes, exclusive vacations and fabulous handbags. She even plans to launch her own line of women’s golf clothing next year. But there’s more to life than shopping and parties, she said.
Williams said she prefers to be known for her work sitting on the boards of such child-focused nonprofits as Chuck Norris’ Kickstart Foundation. “I don’t like talking about money,” she said. “We just feel blessed, At the end of the day, we’re just regular people.”

This is the image of Black Women being beam out to the world, and we wonder why the intial suspicious of our first lady. The purpose of these shows and to continue to degrade and demonize us to the rest of the world. Where is the choir of protest!

Kids shunned at Philadelphia swim club get trip to Disney World thanks to actor Tyler Perry!

To all the do nothing Tyler haters, you know who you are...complain about what other Black people arent doing, and you dont volunteer in community, dont support Black institutions or business in any charitable manner whatsoever, but have plenty of time to complain about the ill treatment of Black folks at the hands of White folks!

Well, Tyler Perry will pay for the trip to Walt Disney World after reading about allegations that a swim club shunned 65 children from a Philadelphia day camp because of racism. Creative Steps director Alethea Wright says she's thrilled about the offer, especially because Perry "comes from humble beginnings" like the children in her camp.

GAY Will Never be the New Black !

Unless you are Black and Gay, you are marginalize from two communities! But like most White People in general, I don’t think the gay community really understands this. Several years ago I ask a Gay colleague that carpooled with me, about White and Black Gay relations, he advised that they were no different than straight race relations with Whites; they still adhered to White Supremacy, and believe that they were better than Blacks.

Despite the catchiness of the slogan, gay is not the new black. Black is still black. White Gays are a powerful influential group. To suggest that their plight is like ours is to discount the suffering of the million of Africans who died in the Trans Atlantic slave trade, and the historical legacy of slavery, segregation, and domestic terrorism, that Black people experience and are still suffering from effects in current day America.

Is reminds me a film I saw about five years ago called Flag Wars. Which is a candid, unvarnished portrait of privilege, poverty, and local politics that was taking place across many Black Communities across America!

Linda Goode Bryant and Laura Poitras' Flag Wars is account of competing economic interests between two historically oppressed groups, seen through the politics and pain of gentrification. This story takes place in Columbus, Ohio. Black residents, working-class or poor and often elderly, fight to hold on to their homes and heritage. Realtors and gay home-buyers see the enormous, often run-down homes as fixer-uppers. The inevitable clashes expose prejudice and self-interest. http://www.pbs.org/pov/flagwars/video_talkingback2.php

Many of the White Gays featured in this film, didn’t see that they were engaging in the same exploitative and bias behavior, that they themselves are convinced that they are the victims of.

These Stories we wont see on Black In America 2!

My thanks to Star-Ledger's James Queally for chronicling the story on Black Wall Street in Newark, and Nigel Parry with the New York Times. I had difficulty goggling this story after seeing it on ABC News, Black Street started by Victor Baker, Hassan Keith and Jeffrey Montgomery at a time when good economic news is scarce, it's encouraging to hear about three young businessmen, all Rutgers alumni, staking a claim to the future in Newark's West Ward. There company has been constructing houses on five empty lots on South 9th Street between 11th and 12th avenues. Is a quasi green construction company rebuilding homes for African Americans in blighted Newark, NJ. The company described how the trio plans to serve working families in need of affordable housing with five duplex-style homes. These three men are making a difference in there respective community.

After seeing snippets of the upcoming Black in America 2, that appeared to be upbeat and inspirational, but we will see on Wednesday night once the entire segment is telecasted. I wanted to mention an individual whose efforts in the green/urban farms movement needs to be heralded. Will FarmerWILL ALLEN already had the makings of an agricultural dream packed into two scruffy acres in one of Milwaukee’s most economically distressed neighborhoods.


His Growing Power organization has six greenhouses and eight hoophouses for greens, herbs and vegetables; pens for goats, ducks and turkeys; a chicken coop and beehives; and a system for raising tilapia and perch. There’s an advanced composting operation — a virtual worm farm — and a lab that is working on ways to turn food waste into fertilizer and methane gas for energy.

With a staff of about three dozen full-time workers and 2,000 residents pitching in as volunteers, his operation raises about $500,000 worth of affordable produce, meat and fish for one of what he calls the “food deserts” of American cities, where the only access to food is corner grocery stories filled with beer, cigarettes and processed foods.

For Mr. Allen, only the second working farmer to win the award, according to the foundation, his efforts are not meant simply to keep people well fed. He sees Growing Power as a way to organize people whose voices are rarely heard and to fight racism.

“I am a farmer first, and I love to grow food for people,” Mr. Allen said. “But it’s also about growing power.”

For 16 years, through sales, and proceeds from grants, he has extended Growing Power’s operations in Milwaukee and Chicago, spreading the gospel of urban farming around the world and training fellow agricultural dreamers.

An imposing 6 feet 7 inches tall, Mr. Allen, who grew up on a farm outside Washington, D.C., played professional basketball for a time after college, mostly in Europe. In 1993, he left a job with Procter & Gamble and bought a roadside farm in Milwaukee’s economically depressed north side — the last remaining registered farm in the city — and got local teenagers involved.

Now, along with its main farm in Milwaukee, Growing Power, a nonprofit group, has a 40-acre farm in a nearby town, and gardens throughout the city. The group also has operations in Chicago, including a garden at the Cabrini-Green housing project and urban farms in Grant and Jackson Parks.

In addition to retail sales at the Milwaukee headquarters, Growing Power sells to food co-ops, other retail stores and about 30 restaurants in the Milwaukee and Chicago areas.

The Growing Powers headquarters looks like a farm stand in need of a paint job and feels like a 1960s community center. Young and old mill about, shopping and waiting for a tour or a training session or a conference.

There is constant activity, with projects at various stages of completion. Mud-encrusted boots share space with pick-axes and pots of salad greens.

“It’s a crazy place,” Mr. Allen said.

As with any top-notch farmer, Mr. Allen takes special care with his soil. Using millions of pounds of food waste, his farm produces endless compost piles, which are then enriched by thousands of pounds of worms, essential to producing what he calls the highest quality fertilizer in the world.

“There are worms in every pot of soil and every tray of vegetables in this greenhouse,” Mr. Allen said.

His food, free of chemicals, tastes better, Mr. Allen said. “And that’s what the really good chefs understand.”

Paul Kahan, the chef and managing partner of the award-winning Chicago restaurants Blackbird and Avec, is one of the chefs who has been working with Mr. Allen’s organization.

“They are wonderful people and do some interesting things that fit in with what we are trying to do,” Mr. Kahan said. “We buy regular produce, such as tomatoes, but they do some things in particular that we really love: pea tendrils, baby beet greens, nasturtiums, baby mustard greens.”

Mr. Allen said he learned it all from his parents. “We’re having to go back to when people shared things and started taking care of each other,” he said. “That’s the only way we will survive.”

“What better way,” he mused, “than to do it with food?”

Pedro Espadas Albany Escapade!

Espada, a Democrat from the Bronx, had helped set this crazy chain of events into motion on June 8 by defecting to vote the Republicans into control of the State Senate—with Espada installed as Senate president, a heartbeat away from becoming governor. One week later, Senator Hiram Monserrate undefected back to the Democrats, effectively creating a tie between the parties. Fulmination and stasis have ruled ever since. He’s also skeptical about the spine of his new allies. “My Republican friends were in power for 40 years,” Espada says. “They don’t know how to do this, to engage in a street fight, to deal with this on the ground.” Espada knows how. He’s been scrapping since he was 16 and homeless. Now, at the age of 55, he is a sturdy five foot six and a meticulous dresser, dandily matching his pocket square with his tie.

Pedro Espada has been cast as the prime villain in the Albany mess—and he’s giving an amazing performance in a role he loves. Politics more than ever is a blood sport, and Espada, a former boxer, relishes playing the toughest guy in the room. If collateral damage is the 1.1 million kids in the city’s public-school system, or the thousands of tenants whose rents will soar, well that’s too bad. Espada has scores to settle.

He is not, however, without redeeming qualities: Espada, the founder of a network of medical centers, has delivered badly needed health care to his constituents. He raised $300,000 for a man struck by a subway train. And he has a dark charisma that complements his shrewd tactical mind. He needs all those skills. Espada has been dogged by investigations for more than ten years and is currently being scrutinized by both state attorney general Andrew Cuomo and Bronx district attorney Robert Johnson, who are trying to determine whether Espada violated campaign-finance laws and whether he actually lives in the Bronx district he represents. “He’s a little bit like Evita Perón,” says Liz Krueger, a Democratic state senator from Manhattan’s East Side. “Espada is always saying he’s ‘of the people,’ but he’s been stealing from the people as long as he’s been in office.”

Espada isn’t solely to blame for the Albany calamity. He’s being used by the Republicans, who are fighting a desperate rearguard action to hold on to power in the face of ominous electoral demographic changes, and by the powerful real-estate lobby, which is fending off regulatory reforms that would cost it millions.


Espada is also a product of a Bronx political culture where elected office is treated as a family fiefdom (a concept that’s not geographically or ethnically limited, of course) and multiple politicians are under investigation or indictment. He’s a creature, too, of an Albany system in which a handful of leaders have long dominated the real decision-making, so individual members grew adept at splitting up the spoils. Plus the Democrats are incompetent.

But Espada is a willing tool, and he’s an extreme example of the self-dealing dysfunction. He’s exploiting a particularly fraught moment, when Albany’s old leadership system has broken down and allowed legislators rare autonomy—which they’ve used to fight, endlessly, among themselves. And he’s taken a legitimate problem—the underrepresentation of Latino voters—and twisted it to his own purposes. “Pedro has no moral center whatsoever,” one Bronx Democrat says. “There is a fundamental difference between negotiating policy issues and horse-trading within the rules. Pedro is not within the rules. This is about self-aggrandizement. For him, this is about ‘What do I need?’ ”

Rise in Violent Racist Attacks

Sometimes I get the impression that we are experiencing a bad rendition of a Sci Fi B movie like They Live, when I hear Attorney and civil rights leader Morris Dees who co-founded the Southern Poverty Law Center in Montgomery, Alabama speak to the National Press Club. As featured speaker, he talked about his group’s legal efforts to hold certain groups accountable for violent acts committed by their members. Dees mentioned how often FOX channel is allowed to openly encourage these groups to commit acts of insurrection against the state. Why is it a surprise that White Supremacy and Militia groups would not make a comeback during the presidency of first elected Blackman, and economic downturn.

What I don’t understand, and Dees fail to discuss is why wont the FCC pull FOX channels license, especially when they incite assassinations plots against the president, the government could easily invoke the patriot act to shut these groups down, which of course would lend to these groups arguing that these are acts of a fascist state, as indicating in there racist tomes such as the turner diaries. Yet Dees went on to compare the Nation of Islam to these groups, I disagreed with Morris Dees about the NOI, the Islam of Islam’s criticism in the form of verbal attacks against the Jewish community, were based on exploitative relationship and egregious acts committed by the Jews against black folks.